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Latin: side doors used by actors to enter the stage. Although the Doric order is traditionally credited with slightly pre-dating the Ionic order , both orders were established by the end of the seventh century. Greek: koryphaios. Also known as Dionysus Eleutherios the liberator ; Greek god; Son of Zeus and Semele, a mortal woman of Thebes; god the grape harvest, wine, agriculture, ritual madness, religious ecstasy, and fertility; patron god of Greek theatre. An architectural canopy of stone, metal, or fabric. Also see: versurae. Roman counterpart to Dionysos is the god Bacchus. Most elaborate of the Greek architectural styles and least used by the Greeks. The Corinthian order was originally used for columns inside buildings and did not appear externally until the 4th century BC; use in exterior temple colonnades did not become widespread until Roman times. The performance of theatre was at the heart of the festival; the Theatre of Dionysos in Athens served as the first and most important of the festival theatres. Greek; the word is plural, no singular: the planks of a deck, or more generally, a platform or stage. The decorative column feature is the columnatio. Audience seating in theatron above the diazoma. A simple cornice molding at the top of the architrave extends to protect the parts below from rain. Above the capital is the architrave consisting of an unadorned beam supporting a frieze of alternating triglyphs vertical, weight supporting blocks with three vertical grooves and metopes non-load bearing panels either decorated with relief sculpture or left plain. Latin; sing. The Romans cleaned themselves with a sea sponge on a stick tersorium or xylospongium. The bisellia at Heirapolis, Turkey is large enough to seat a group of people. Underground passage leading from offstage to opening in center of orchestra also known as Charonian or Charon stairway ; Charon was the mythological ferryman who conveyed the souls of the dead across the Styx; used by the chthonic deities or for "ghostly apparitions" Pollux ; examples at Argos, Siracusae, and Eretria; not a typical feature of Greek theatre construction. The Ionic column rests on an elaborate curving base; column shaft more slender than Doric style height to base ratio of early Ionic columns: 8 to 1, Doric ratio: 4 to 1 and 6 to 1 ; fluting on shaft is more prominent than on Doric column; significant detail is found in the capital: two spiral volutes design element resembling partially unrolled scrolls; Ionic capital is directional front and back are different that the sides. The word describes the tiered column component as a whole rather than as individual groupings of columns. Although forica and latrina refer to different types of Roman toilets, the word, latrinae , and its modern equivalent, latrine , have evolved to refer to any large, public bathroom. Private, single seat toilet was known as a latrina , pl. In an ancient theatre such as Miletus, it is a stone or marble structure built in the form of a canopy that signifies status and serves as a roof to shelter an area from the weather, example of baldachin remains are the columns as found in the center of the ima cavea at the theatre at Miletus, Turkey. Classification system used to define styles of ancient architecture; most common to ancient Greece are the Doric , Ionic , and Corinthian orders. Greek: upper tier of theatron seating. These architectural elements are further classified by their particular style of design Doric, Ionic, and Corinthian. It was a seat of honor reserved for persons of note or persons who had done special service for the state. Most desirable seating in Roman theatres; reserved for the upper echelons of society senators and equestrians. Large, open public space which served as a place for citizens of a Greek city to assemble; the political, civic, religious and commercial center of a Greek city; buildings for all of these various purposes were constructed as needed in and around the agora. Resembles Ionic in most aspects except for the column capital; Corinthian columns have tall capitals shaped like upside-down bells and are covered with rows of acanthus leaves and small vine like spirals called helixes. Greek: stairway to or from the underworld. The ancient writers Photius, Eustathius, Hesychius, and the Suda cite the collapse of temporary ikria at the Athens Agora during the 70th Olympiad BCE as motivation for the construction of the permanent Theatre of Dionysos at the foot of the Athens Acropolis. The temporary scaffold seating in early Greek theatre consisting of tiered, wooden bleachers resting on wooden supports. Greek; sing. Two festivals: 1. Building for members of the council chamber; an assembly hall for magistrates; town hall. The doors in the Roman basilica tower like structures flanking the Roman Stage. From the Latin root of columna , or pillar. Shallow, parallel groves flutes run from the bottom to the top of the shaft. The three main parts of a temple facade are the steps , the columns , and the entablature. In some plays, the left eastern eisodos lead to the country whereas the right western passageway was the route to the city. The curtain in Roman theatre could be lowered into the stage through a slit to reveal a scene or raised to conceal. The typical Ionic entablature features an architrave with three parallel bands, a decorative frieze featuring continuous sculpture decoration not divided into triglyphs and metopes as typical of the Doric style , and borders of carved dentils rows of square shaped teeth. The bisellium is a large, centralized, stone chair in front of the orchestra in a Roman theatre and is distinguished from a sella general term for a Roman chair and a prohedria seat of honor by its size. Term describing the period of Greek civilization from BC death of Alexander the Great to 31 BC Roman victory at the Battle of Actium and the resulting decline of Ptolemaic power in Egypt ; term derived from Hellene, the word Greeks used to describe themselves; term coined by the German historian Johann Gustav Droysen to differentiate between a Greek culture dominated by ethnic, city-state Greeks and a Greek culture dominated by Greek-speakers of various ethnicities governed by larger monarchies. Greek; pl. Early Roman foricae were little more than a wooden plank over a trench. Architectural style presumably developed in Ionia and on some of the Greek islands by the 6th century BC. More discerning visitors brought their own sponge. From Italian: baldaccino, canopy of state. Later variations of these orders by the Romans produced the Roman Composite order. The scaenae frons stage house front of a Roman theatre ranges in height from one to three stories and is typically pierced by three doors and ornamented with one to three tiers of columns, balconies, and statues. Architectural style presumably developed on the Greek mainland and in southern Italy and Sicily. Greek: pl. The two names are often interchanged. Latin: row of pillars or columns. Prohedria seats of honor are less common but can be found in both Greek and Roman theatres. The row may be curved or straight and may support a covered roof or enclose an open space. The entablature has three major elements: the architrave the bottom element equivalent to the lintel in post and lintel construction , the frieze the middle, horizontal strip that may be ornamented, and the cornice the top horizontal strip of decorative moldings that overhang the parts below. Greek religious festival held in honor of the god Dionysos celebrating the grape harvest and wine. Greek: "roll-out machine". Social rank dictated the seating restrictions for the audience with the ima cavea reserved for the upper echelons of society senators and equestrians , the media cavea was reserved seating for pleb togata respectable citizens ; and those with lesser status mixed crowd of urban poor, foreigners, slaves, and women were restricted to the upper or summa tier. That horizontal, architectural portion of a classical building or portico that sits atop columns or a wall, but beneath the roof or pediment. Generic word for any opening to some interior space or cavity. Doric order simple, smooth, round developed on the Greek mainland and in southern Italy and Sicily by 7th century BC. These three elements in turn have three parts: three steps uppermost being the stylobate , three parts to a column normally the base, shaft, and capital , and three parts to an entablature an architrave, a frieze, and a cornice. Doric columns are slightly tapered, simple and sturdy and have no base. Ashlar bench seats were often hollowed beneath the front edge for increased leg room. Considered by ancient Greeks to be feminine as opposed to the more masculine Doric style. Corresponds to the Roman " summa cavea. Corresponds to Roman cuneus. From the Greek: koilon , a hollow or cavity. Dinsmoor Latin: lowest tier of cavea seating. The Doric capital consists of two parts, a round echinus and a square abacus. Roman entrance to the orchestra , typically located between the cavea and the scaena , one on either side of the orchestra; corresponds to the parodos in the Greek theatre. A large theatre had three seating tiers: the ima cavea was the lowest part of the cavea; the media cavea was the middle; and the summa cavea was the upper tier. Greek; Latin: Dionysus. A row of columns, often free-standing, separated from each other by an equal distance. According to Vitruvius the gradus, " Their width must not be more than two feet and a half, nor less than two feet. More ornamental and graceful than Doric. The Corinthian order elaborate capital with acanthus leaf decorations , used more by Romans than Greeks, emerged late in the 5th century BC. Supporting or retaining walls for the audience seating area in a Roman or Greek theatre; more specifically, the wing walls which flank the stage, and against which the end seats of the auditorium abut. Stone foricae were constructed over a sewer system and flushed with running water. Remains found at Priene theatre in Turkey suggest speeches and debates may have been timed. Often portrayed in the company of the Maenads, Satyrs and Sileni. The column is normally indicative of the style of each order. Moving platform used in Greek performances for revealing or changing scenes. Ancient water clock; ancient device for measuring time by the gradual flow of water. The shared tersorium was rinsed in a bucket of water with vinegar or salt. The Ionic order scrolled-shaped decoration developed in Ionia and on some of the Greek islands by the 6th century BC. Eisodoi was the name used by Aristophanes for the parodoi. The remains of such a clock at the theatre at Priene, Turkey, is evidence that public debate occurred at the theatre.{/INSERTKEYS}{/PARAGRAPH} The Roman cavea corresponds to the Greek theatron. According to Vitruvius, "The entrances aditus should be numerous and spacious; those above ought to be unconnected with those below, in a continued line wherever they are, and without turnings; so that when the people are dismissed from the shows, they may not press on one another, but have separate outlets free from obstruction in all parts. {PARAGRAPH}{INSERTKEYS}Latin; pl. A horizontal walkway diazoma separated the two seating tiers.