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On the album Delay , you can hear warped, Beefheartian echoes of blues rock in Little Star of Bethlehem, while Nineteenth Century Man is based around a tortured take on the same rhythmical motif The Beatles themselves had mined on Taxman a couple of years previously. Can - Shows how even as the band were falling apart, they always avoided making anything that fit into a comfortable category. Some songs, like the closing She Brings the Rain, come across as quite familiar sounding s psychedelic rock and pop, and yet something else is brewing in the album too. We may never fully be able to pass through that curtain between dimensions, but look in the corners, the shadows and the cracks in our world where idiosyncrasies can still take root, and there is something there: some trespasser from elsewhere, slipping in their awkwardly funky way between the lines we draw, making the solid mutable, the real otherworldly and the otherworldly real. In this sense, their self-titled album says a lot about Can. The parallel world that lives under the influence of Can is sometimes tantalisingly close to our own, and yet their music pursues so many oblique detours that it mostly feels frustratingly just out of reach. They stayed ahead of the curve too. Soundtracks - Shows the band's transition from s rock into something more cosmic. As a 7th choice, Soon Over Babaluma is a great example of Can at their most subtle and atmospheric. Here are 6 albums that I think represent six interesting aspects of the band. Unlimited Edition - Can at their most eclectic and experimental. Martin The movie Yesterday asks us to imagine a world without The Beatles. ele-king October 19, PM ドイツの巨星、CAN読本の決定版！.{/INSERTKEYS}{/PARAGRAPH} Ege Bamyasi - The most accessible realisation of the Damo Suzuki era. Tago Mago - Can at their most extreme. Landed - A great example of Can's ability to mix pop, experimental and ambient approaches. The albums Tago Mago, Ege Bamyasi and Future Days are really where that parallel world in which Can were the foundation of modern popular music moves closest to our own. {PARAGRAPH}{INSERTKEYS}Can: Intruders from a Parallel World Ian F. They were musical movements uncomfortable in the world of rock music as conventionally understood. The sort of minimalist, noise-distorted, atmospheric, disco- and funk-influenced sounds Can had made their own would have sat very comfortably alongside the likes of Cabaret Voltaire, Pere Ubu and A Certain Ratio, and in tracks like A Spectacle and Safe, Can showed they were masters of that craft. A different window into the transformational witchcraft that Can were working on s rock can be seen on the album Soundtracks, which collects some of their work for films.